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Ósserp - Sang i Sutge - MMXV
lyrics
Aquella llum farcida d’amants
Que amb recel es miren de reüll
Equidistants entre el delit i el buit
Preses de sentiments… sofisticats
67 llunes de Júpiter
67 amants de l’astre
També els deus pateixen els infortunis, dels humans
Doncs dia rere dia veuen el temps passar, sense avançar
supported by 20 fans who also own “Les 67 llunes de Júpiter”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end. sachavonkarl74
supported by 19 fans who also own “Les 67 llunes de Júpiter”
Heaviest thing I’ve heard all year along with Altarage. Okay I’ve been listening to this record for the past two weeks and it just gets better and better. Dissonant grooves galore Jacob Ballance
supported by 18 fans who also own “Les 67 llunes de Júpiter”
An outstanding beast of an album! After testing the waters with Ἡ εἰκών, delivering more of that on the twice as long Ψευδομένη, J.L. seemingly decided to make Τρωθησομένη at least twice as aggressive. The atmosphere its predecessor had has been cut and replaced by riff after riff after riff. Riffs of all sorts, as should be noted: punky, pumping, sick, and grooving. It's like getting clapped by a frenzied maniac for 40 minutes straight. One of the wildest albums I've heard in a while! David Fischer
Featuring members of Gatecreeper, Skeletonwitch, and Wolvhammer, Noose Rot deliver a grimy, crushing take on death doom. Bandcamp New & Notable Feb 19, 2018
supported by 18 fans who also own “Les 67 llunes de Júpiter”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace! David Fischer