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supported by 20 fans who also own “Les 67 llunes de Júpiter”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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supported by 19 fans who also own “Les 67 llunes de Júpiter”
Heaviest thing I’ve heard all year along with Altarage. Okay I’ve been listening to this record for the past two weeks and it just gets better and better. Dissonant grooves galore
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supported by 18 fans who also own “Les 67 llunes de Júpiter”
An outstanding beast of an album! After testing the waters with Ἡ εἰκών, delivering more of that on the twice as long Ψευδομένη, J.L. seemingly decided to make Τρωθησομένη at least twice as aggressive. The atmosphere its predecessor had has been cut and replaced by riff after riff after riff. Riffs of all sorts, as should be noted: punky, pumping, sick, and grooving. It's like getting clapped by a frenzied maniac for 40 minutes straight. One of the wildest albums I've heard in a while!
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Immortal and Vile (Death Metal)
by PRIMITIV (Mumbai, India)
featured on Bandcamp Radio May 28, 2021
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Hollow of the Void
by PETRIFICATION
Petrification shine by taking the beloved ’90s death metal sound and making their own terror with it.
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The Creeping Unknown
by NOOSE ROT
Featuring members of Gatecreeper, Skeletonwitch, and Wolvhammer, Noose Rot deliver a grimy, crushing take on death doom.
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supported by 18 fans who also own “Les 67 llunes de Júpiter”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace!
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